De tous temps, l\u2019arbre, ce myst\u00e8re en pleine lumi\u00e8re, a fascin\u00e9 les photographes.<\/p>\n\n
De la ferveur naturaliste de Ansel Adams qui nous a laiss\u00e9 des centaines de clich\u00e9s r\u00e9alis\u00e9s \u00e0 partir des ann\u00e9es 30 dans les grands parcs nationaux americains, \u00e0 la photographe Beth Moon qui a parcouru le globe a la recherche des plus vieux arbres de la plan\u00e8te jusqu\u2019au mani\u00e9risme symbolique de l\u2019isra\u00e9lienne Tal Shochat qui nettoie les branches d\u2019arbres fruitiers avant de lesimmortaliser sur fonds de tissu noir, l\u2019arbre reste un des sujets de pr\u00e9dilection des artistes.<\/p>
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Cette obsession pour ces cr\u00e9atures g\u00e9n\u00e9ratrices de vie qui fr\u00f4lent l\u2019immortalit\u00e9 et nous relient au ciel s\u2019accompagne d\u2019un sentiment m\u00eal\u00e9 de perte et de d\u00e9sir de puret\u00e9 originelle. L\u2019arbre, cet \u00eatre sacr\u00e9 nous remet en contact avec le meilleur de nous m\u00eames.<\/p><\/p>\n\n
Les protagonistes de l\u2019exposition de Sasi Somu au Centre d\u2019 Art en ce mois de novembre, ce ne sont pas les arbres tout court \u2013 ce sont les arbres d\u2019Auroville.<\/p>\n\n
\u201cIl y a cinquante ans, \u00e0 la naissance d\u2019Auroville, c\u2019\u00e9tait un d\u00e9sert, il n\u2019y avait pas un arbre dans les environs \u2013 explique Sasi- les premiers habitants les ont plant\u00e9s. Ils ont exactement le m\u00eame \u00e2ge que la ville et se sont developp\u00e9s en meme temps qu\u2019elle. Ils en sont donc les t\u00e9moins privil\u00e9gi\u00e9s.\u201dEt c\u2019est aussi un t\u00e9moignage que nous offre ici le photographe, dont le regard nous rend, nous spectateurs, \u00e0 notre tour, t\u00e9moins.<\/p>
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\u201cEt s\u2019ils pouvaient parler\u2026\u201dCe que font les images de Sasi, c\u2019est donner la parole aux arbres.Depuis des ann\u00e9es il les photographie inlassablement sous tous les angles, alternant les saisons, les heures du jour, les variations de la lumi\u00e8re, explorant textures, motifs, contrastes.<\/p><\/p>\n\n
Cette exposition, pourrait on dire, est un arr\u00eat sur images dans un processus aux possibilit\u00e9s cr\u00e9atives in\u00e9puisables. \u201cCe travail n\u2019est pas fini, et ne le sera jamais. Chaque d\u00e9couverte m\u00e8ne \u00e0 une autre et engendre des connexions aussi complexes que la structure des branches, des racines, du feuillage .\u201d<\/p>\n\n
Ce qui int\u00e9resse en particulier le photographe, c\u2019est la relation de l\u2019arbre avec l\u2019environnement, dans quelle mesure la physionomie d\u2019un paysage, son atmosph\u00e8re, sont model\u00e9es par sa pr\u00e9sence.\u201c C\u2019est pour cette raison que je n\u2019utilise pas de cadre, cela produit une s\u00e9paration. La photo est un instant dans un r\u00e9cit qui se d\u00e9roule. Il y a un avant, il y a un apr\u00e8s, et tout se qui se passe autour d\u2019une image qui n\u2019est pas isol\u00e9e reste subtilement perceptible.\u201dDans cette optique, Sasi d\u00e9cale les fronti\u00e8res du visible, d\u00e9coupant ses images en fragments dont chacun est en soi une composition abstraite. Les \u00e9l\u00e9ments des polyptiques ainsi cr\u00e9es peuvent \u00eatre distanci\u00e9s. L\u2019espace, comme en musique un silence ou un souffle, en g\u00e9n\u00e9rant rythme et tension, souligne la plasticit\u00e9 de la composition.Le sentiment de libert\u00e9 et de respect qui perm\u00e9e ces images nait cependant de choix stylistiques rigoureux. Le choix de la photographie analogique, du noir et blanc.Analogie est le mot cl\u00e9 de cette exposition.Analogie entre le long travail du photographe de l\u2019\u00e8re pr\u00e9-digitale et le patient d\u00e9veloppement du systeme v\u00e9g\u00e9tal, les prises de vue puis les phases compliqu\u00e9es des processus chimiques, le facteur temps, le passage du film au papier, du n\u00e9gatif au positif, le r\u00f4le de la lumi\u00e8re dans le d\u00e9veloppement, la photosynth\u00e8se.Analogie revendiqu\u00e9e jusqu\u2019\u00e0 l\u2019osmose entre la photographie classique et l\u2019arbre. Envers l\u2019une et l\u2019autre: une d\u00e9claration d\u2019amour.<\/p><\/p>\n\n
Dominique Jacques, octobre 2020<\/p>\n","protected":false},"excerpt":{"rendered":"
Du 6 au 28 novembre 2020<\/p>\n","protected":false},"author":2,"featured_media":1522,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"project_category":[],"project_tag":[],"class_list":["post-1548","project","type-project","status-publish","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"\n
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