{"id":1554,"date":"2021-02-13T06:01:00","date_gmt":"2021-02-13T06:01:00","guid":{"rendered":"http:\/\/centredart.in\/project\/fire-and-ice\/"},"modified":"2021-09-03T10:42:07","modified_gmt":"2021-09-03T10:42:07","slug":"fire-and-ice","status":"publish","type":"project","link":"https:\/\/centredart.in\/fr\/project\/fire-and-ice\/","title":{"rendered":"FIRE and ICE"},"content":{"rendered":"\n<h1 class=\"wp-block-heading\">par Ray Meeker<\/h1>\n\n<h2 class=\"wp-block-heading\">Du 13 au 27 f\u00e9vrier 2021<\/h2>\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img decoding=\"async\" width=\"724\" height=\"1024\" src=\"http:\/\/centredart.in\/wp-content\/uploads\/2021\/08\/2102_FIREICE-724x1024.jpg\" alt=\"\" class=\"wp-image-1512\"\/><\/figure><\/div>\n\n<p>Des monolithes qu\u2019on dirait faits de lave et de ciment, les sculptures d\u2019un dieu en col\u00e8re qui aurait fini par broyer sa propre cr\u00e9ation, les colonnes d\u2019un temple retrouv\u00e9 en une p\u00e9riode post apocalyptique: le paysage compos\u00e9 par l\u2019artiste Ray Meeker est une m\u00e9tropole cristallis\u00e9e par un cataclysme, les vestiges d\u2019un monument \u00e0 une trag\u00e9die annonc\u00e9e.<\/p>\n\n<p>Fire and Ice, le titre de l\u2019exposition, se r\u00e9f\u00e8re \u00e0  l\u2019homonyme po\u00e8me de Robert Frost dont  les deux premiers vers r\u00e9citaient:<\/p>\n\n<p>Some say the world end in fire, some say in ice.\u201d<\/p>\n\n<p>Le po\u00e8me de Frost parlait d\u2019amour et de haine, Ray nous parle de soin et de n\u00e9gligence, d\u2019action et de r\u00e9action. Des cons\u00e9quences du comportement de l\u2019humain envers son habitat. Le monde est en flamme et la glace fond. En 1970, quand Ray Meeker se dipl\u00f4me en c\u00e9ramique \u00e0  l\u2019Universit\u00e9 de Californie du Sud, le r\u00e9chauffement climatique n\u2019est pas encore au vocabulaire du discours sur la d\u00e9gradation de l\u2019environnement, les \u00e9nergies renouvelables en sont a leurs premiers balbutiements. Ray se souvient: \u201cJ\u2019observais ces dynamiques de consumisme, de surproduction, et de pollution qui en d\u00e9rivait. J\u2019exprimais cela en exposant d\u2019\u00e9normes bennes de bulldozer en terre cuite sur lesquelles tous les continents de la terre \u00e9taient grav\u00e9s au pochoir: les bennes devenaient la plan\u00e8te elle-m\u00eame.<\/p>\n\n<p>N\u00e9 \u00e0  New York en 1944, il a deux ans lorsque sa famille se transf\u00e8re dans la p\u00e9riph\u00e9rie de los Angeles, \u00e0  l\u2019\u00e9poque une des villes les plus pollu\u00e9es des Usa. En compagnie de son p\u00e8re qui l\u2019entraine dans de longs trekkings sur les montagnes californiennes, il d\u00e9veloppe une profonde relation avec la nature, loin de l\u2019atmosphere satur\u00e9e de smog de Los Angeles.<\/p>\n\n<p>Fire and ice se compose de sculptures de diverses dimensions dont les plus petites semblent des fragments de m\u00e9t\u00e9orites ou de lave refroidie tandis que les plus grandes, des sortes de pierres tombales, sortent manifestement d\u2019une matrice humaine et sont marqu\u00e9es comme au fer rouge d\u2019inscriptions fragment\u00e9es, en plusieurs langues et alphabets.<\/p>\n\n<p>L\u2019une de celles-ci, que Ray a fait traduire en hindi et en chinois,  \u201cThe american lifestyle is not up for negociations\u201d exprime la position am\u00e9ricaine sur le changement climatique \u00e0  la conf\u00e9rence de Rio en 1993. Mais notre m\u00e8re la terre ne n\u00e9gocie pas, elle r\u00e9agit \u2013 ajoute Ray.<\/p>\n\n<p>Une autre de ces inscriptions qui appartiennent d\u00e9sormais \u00e0 notre inconscient collectif est le premier vers de la comptine pour enfants Humpty Dumpty. \u201cAll the king\u2019s horses and all the king\u2019s men&#13;\nCouldn\u2019t put Humpty Dumpty together again.\u201d L\u2019oeuf bris\u00e9, c\u2019est la terre.&#13;\n<\/p>\n\n<p>Fire and Ice est une synth\u00e8se, un point d\u2019\u00e9quilibre et d\u2019identification extr\u00eame entre la mati\u00e8re elle -m\u00eame, l\u2019artiste, et son sujet, que l\u2019on retrouve dans l\u2019ambiguit\u00e9 parfaite de textures capables d\u2019 \u00e9voquer des roches mill\u00e9naires, des bois fossiles ou calcin\u00e9s, des produits de civilisations industrielles, l\u2019acier, ou le b\u00e9ton, comme dans l\u2019agglom\u00e9rat des formes stratifi\u00e9es, o\u00f9 l\u2019on reconnait des os pr\u00e9historiques, des pi\u00e8ces de machine, et ces fragments de phrases en relief comme une condamnation. Comme un t\u00e9moignage, comme un avertissement qui dirait:<\/p>\n\n<p>Le futur de la terre n\u2019est pas n\u00e9gociable, sculpt\u00e9 dans la glace, grav\u00e9 par le feu.<\/p>\n\n<p><p><em>Dominique Jacques \/ Centre d\u2019Art Citadine, janvier 2021<\/em><\/p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Du 13 au 27 f\u00e9vrier 2021<\/p>\n","protected":false},"author":2,"featured_media":1513,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"project_category":[],"project_tag":[],"class_list":["post-1554","project","type-project","status-publish","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>FIRE and ICE - Centre d&#039;art<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/centredart.in\/fr\/project\/fire-and-ice\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"FIRE and ICE - 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