Ezhilarasan, Vengatesh, Danasegar et Sridhar<\/h2>\n\n
Du 11 au 28 janvier 2020<\/h2>\n\n
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Un titre qui est une d\u00e9claration d\u2019intention et un d\u00e9fi. Y a t il en effet mission plus extr\u00eame pour un artiste visuel que d\u2019aller questionner le vide ? <\/p>\n\n
Ce qui int\u00e9resse les artistes de V5 c\u2019est de capturer les messages de l\u2019invisible. Devenir les vecteurs d\u2019un monde auquel nous n\u2019avons pas acc\u00e8s, rar\u00e9fiant dans leur travail les \u00e9l\u00e9ments de distraction pour laisser affleurer des myst\u00e8res latents sous la surface des choses. Emptiness est une nouvelle \u00e9tape de ce voyage. Voyage r\u00e9el, pour Ezhilarasan et Vengatesh qui retournent, inlassablement, vers les lieux qui les fascinent, l\u2019Himalaya pour l\u2019un, Varanasi pour l\u2019autre, voyage m\u00e9taphorique et d\u00e9placements de conscience pour Danasegar et Sridhar. <\/p>\n\n
Danasegar d\u00e9cide de faire le vide en soi, de descendre au plus profond de lui-m\u00eame, laissant sa main tracer a la surface de la toile des signes qu\u2019il refuse de contr\u00f4ler. \u00ab Je deviens le fou, dit il, personne ne sait ce qui se passe dans la t\u00eate d\u2019un fou. Je deviens l\u2019eau qui coule \u00e0 travers le caillou, je deviens le trait, je suis lib\u00e9r\u00e9 de ma propre existence. \u00bb Ce qu\u2019il s\u2019est pass\u00e9 \u00e0 ce moment l\u00e0, un moment de pur bonheur, ce qui est descendu, restera \u00e0 jamais inexplicable. Il en restera les traces, ces trames qu\u2019il a dessin\u00e9es comme on gratte un mur. <\/p>\n\n
Depuis toujours le vide a suscit\u00e9 chez les artistes des sentiments ambivalents, une attirance irr\u00e9sistible accompagn\u00e9e de peur, la tentation de s\u2019y perdre en m\u00eame temps que la crainte de d\u00e9couvrir en soi la preuve de sa non existence. <\/p>\n\n
Chaque artiste, porteur de connaissances, de m\u00e9moires, d\u2019exp\u00e9riences sensorielles indispensables \u00e0 sa formation, ressent, t\u00f4t ou tard, la n\u00e9cessit\u00e9 de se d\u00e9faire de ce bagage pour pouvoir, affranchi des liens du pass\u00e9, s\u2019avancer au seuil de r\u00e9gions inexplor\u00e9es.<\/p>\n\n
L\u2019inconnu de Sridhar est une m\u00e9moire enfouie. D\u2019un p\u00e8re artiste pour le temple de son enfance il a gard\u00e9 des souvenirs \u00e9merveill\u00e9s, une d\u00e9votion absolue pour les chefs d\u2019\u0153uvre qu\u2019il a pu admirer dans toute l\u2019Inde et faire siens, les sculptures, les bas reliefs, les fresques d\u2019Ellora et Ajanta. Puis il a brouill\u00e9 les pistes, faisant semblant d\u2019oublier ce monde prodigieusement antique dont les \u00e9chos continuent de filtrer \u00e0 travers ses stratigraphies \u00e0 l\u2019aspect poreux comme celui d\u2019une peinture murale. Ce que Sridhar peint, il le consid\u00e8re comme une entit\u00e9 s\u00e9par\u00e9e dont il tire des enseignements. Il est \u00e0 l\u2019\u00e9coute de l\u2019univers, il est le destinataire de secrets perdus, de passages oubli\u00e9s.<\/p>\n\n
Quant \u00e0 Ezhilarasan, ce qu\u2019il raconte est sugg\u00e9r\u00e9 par des silhouettes \u00e0 peine esquiss\u00e9es: des hommes, des chiens, dans un vide \u00e0 l\u2019odeur de neige. <\/p>\n\n
Les chiens, comme des sentinelles, surgissent dans la nuit. Ils d\u00e9fendent spontan\u00e9ment les hommes contre des dangers invisibles qu\u2019eux seuls percoivent. Ils sont partout: ils errent le long des routes, suivent les voitures en aboyant, meurent renvers\u00e9s dans des accidents, r\u00eavent, et hurlent \u00e0 la lune.<\/p>\n\n
\u00ab Les chiens n\u2019ont pas peur, car ils n\u2019ont pas, comme nous, perdu toute connexion avec la nature \u2013 raconte Ezhilarasan- Ils sont le trait d\u2019union, le pouvoir que nous avons perdu. Ils montent la garde aux portes de l\u2019invisible, hument dans l\u2019inconnu des cr\u00e9atures aux aguets \u00bb. <\/p>\n\n
Dans l\u2019 \u0153uvre de Vengatesh, Varanasi est un arch\u00e9type. Il a cr\u00e9e un univers cr\u00e9pusculaire o\u00f9 des divinit\u00e9s nimb\u00e9es de lumi\u00e8re bleue apparaissent et disparaissent comme sur des fresques en plans successifs. C\u2019est une fable onirique travers\u00e9e d\u2019\u00e9clairs aveuglants, qui pr\u00e9sente sur le m\u00eame plan l\u2019ombre et la lumi\u00e8re, le connu et l\u2019inconnu, le cach\u00e9 et le d\u00e9voil\u00e9, le rien et le tout. Le vide y est la face cach\u00e9e du plein, comme dans un jeu de cartes dans la main d\u2019un illusionniste supr\u00eame.<\/p><\/p>\n\n
Le fil rouge qui relie les quatre artistes de Pondich\u00e9ry, le fleuve souterrain o\u00f9 conflue leur parcours, se trouve peut \u00eatre dans les sculptures d\u2019Ezhilarasan, un groupe de neuf petites \u00e9tudes d\u2019\u00eatres humains surpris dans les positions famili\u00e8res de la vie de tous les jours, que l\u2019artiste appelle les neuf plan\u00e8tes, \u00bb car- dit il- comme les plan\u00e8tes, ils tournent autour du soleil mais ne se rencontrent pas \u00bb.<\/p>\n\n
Chacun repr\u00e9sentant, dans sa sp\u00e9cificit\u00e9, un aspect de l\u2019\u00eatre non fragment\u00e9 que nous sommes en r\u00e9alit\u00e9 bien que nous l\u2019ayons oubli\u00e9, nous croyant perdus, et dont on pourrait, en les r\u00e9unissant, r\u00e9tablir la pl\u00e9nitude originelle.<\/p>\n\n
Du 11 au 28 janvier 2020<\/p>\n","protected":false},"author":2,"featured_media":1789,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"project_category":[],"project_tag":[],"class_list":["post-1731","project","type-project","status-publish","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"\n
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