{"id":1783,"date":"2020-02-01T05:01:00","date_gmt":"2020-02-01T05:01:00","guid":{"rendered":"http:\/\/centredart.in\/?post_type=project&p=1783"},"modified":"2021-10-01T10:56:05","modified_gmt":"2021-10-01T10:56:05","slug":"notes-on-the-way","status":"publish","type":"project","link":"https:\/\/centredart.in\/fr\/project\/notes-on-the-way\/","title":{"rendered":"Notes on the Way"},"content":{"rendered":"\n
Par Pierre Legrand<\/strong><\/p><\/h1>\n\n
Du 1er au 18 f\u00e9vrier 2020<\/h2>\n\n
<\/div>\n\n<\/figure>\n\n
A partir du premier f\u00e9vrier 2020, les cr\u00e9ations de Pierre Legrand viendront habiter les galeries du Centre d\u2019Art \u00e0 Citadines.<\/p>\n\n
Cette exposition, une r\u00e9trospective aux allures de journal de bord, marque une \u00e9tape fondamentale dans le parcours de l\u2019artiste aurovilien qui a r\u00e9cemment chang\u00e9 de lieu de vie et de travail. Dans le nouvel atelier, un espace minimaliste dont les parois nues ne permettent aucune distraction, une cr\u00e9ation nouvelle s\u2019est naturellement impos\u00e9e \u00e0 lui, en m\u00eame temps que le besoin de s\u2019affranchir du pass\u00e9. Pierre a donc d\u00e9cid\u00e9 de rassembler dans les deux salles du Centre d\u2019Art des \u0153uvres anciennes et ses projets les plus r\u00e9cents, couvrant ainsi un arc temporel de 30 ans. Les ventes de l\u2018exposition iront \u00e0 Art for Land (une initiative destin\u00e9e \u00e0 recueillir des fonds pour acheter de nouvelles terres pour Auroville).<\/p>\n\n
On pourrait dire que Notes on the way est une sorte de rite de passage, ou l\u2019\u00e9quivalent d\u2019une pause musicale dans une symphonie, comme quand on reprend son souffle avant de poursuivre une ascension, et que, bri\u00e8vement, on se retourne pour mesurer le chemin parcouru. <\/p>\n\n
Ces \u0153uvres sont les t\u00e9moins d\u2019une exploration dont l\u2019artiste ne connait ni le terme, ni le prix, mais seulement l\u2019enjeu, et qui n\u2019est exempte ni de doutes ni de questionnements.<\/p>\n\n
Il accepte de ne pas savoir, il traverse de longues p\u00e9riodes d\u2019incertitude ponctu\u00e9es de r\u00e9v\u00e9lations parfois fulgurantes o\u00f9 il per\u00e7oit en un instant ce qu\u2019il a -apparemment- mis des ann\u00e9es \u00e0 r\u00e9aliser.<\/p>\n\n
Cet \u00e9clair o\u00f9 il comprend que trente ans ou une seconde, c\u2019est pareil, que tout est d\u00e9j\u00e0 l\u00e0 , mais qu\u2019il n\u2019y a pas de raccourci, qu\u2019il lui faut installer dans la mati\u00e8re, jour apr\u00e8s jour, \u00e0 t\u00e2tons, ce secret qui nous aveugle.<\/p>\n\n
Ce qui relie les \u0153uvres terriennes, organiques, presque monochromes des ann\u00e9es 90 et celles d\u2019aujourd\u2019hui, (qui ne rel\u00e8vent plus de la peinture, ni de la sculpture, ni vraiment de l\u2019architecture, mais se situent dans une zone transitaire qui refuse de se d\u00e9finir) des structures presque impalpables o\u00f9 dansent des touches de couleur pure comme la joie d\u2019un printemps qui jaillit, c\u2019est un processus que l\u2019on pourrait presque qualifier de Darwinien.<\/p>\n\n
Il est un vecteur, Il est un instrument de la mati\u00e8re qui cherche \u00e0 fleurir \u00e0 travers lui, qui se cherche et se d\u00e9couvre, qui veut \u00eatre manifest\u00e9e. \u00ab Ce que je fais-dit il- c\u2019est beaucoup plus loin que moi, ca me d\u00e9passe. C\u2019est comme lancer quelque chose qui apr\u00e8s te tire \u00bb. Rimbaud \u00e9crivait: L\u2019art est en avant. <\/p>\n\n
Il s\u2019agit donc d\u2019une \u0153uvre fortement \u00e9volutive dont les implications formelles sont multiples et impr\u00e9visibles. Son itin\u00e9raire n\u2019est pas lin\u00e9aire mais emprunte parfois des diramations, comme un arbre dont la croissance est d\u00e9termin\u00e9e par l\u2019inextricable expansion souterraine des racines. Il tente des changements d\u2019\u00e9chelles spectaculaires, comme \u00e0 travers le prisme des yeux d\u2019un insecte \u00e0 la vision kal\u00e9idoscopique ou d\u2019un microscope g\u00e9ant, \u00e9tudie des trou\u00e9es et des perforations, architecte des non-espaces \u00e0 travers des parois qui sont des passages, des pans de lumi\u00e8re qui, dans la clart\u00e9 de l\u2019aube o\u00f9 la couleur s\u2019annule, r\u00e9v\u00e8lent des textures sous- jacentes capables de mutations.<\/p>\n\n
Pierre veut entrer en contact avec la conscience des cellules, laisser affleurer leur respiration. Il a eu l\u2019intuition d\u2019un langage de l\u2019invisible en inventant un alphabet qui parlerait \u00e0 tous les sens, une \u00e9criture comme un code lisible \u00e0 plusieurs niveaux qui d\u00e9montrerait l\u2019unicit\u00e9 vibratoire de l\u2019univers.<\/p>\n\n
Artaud parlait d\u2019un nouveau langage \u00ab pour exorciser la s\u00e9paration de l\u2019\u00eatre, un langage originel et universel qui puisse r\u00e9concilier corps et esprit en une \u0153uvre infinie.\u00bb<\/p>\n\n
Une cr\u00e9ation cr\u00e9atrice qui provoque l\u2019exp\u00e9rience chez le spectateur, une entit\u00e9 autonome capable de modifier qui la regarde, un art pulsant et contagieux qui va directement dans le corps et agit sur les cellules, c\u2019est cela qui motive la recherche de Pierre.<\/p>\n\n
\u00ab A la fin des ann\u00e9es 70 \u2013 se souvient-il \u2013 il y avait \u00e0 Auroville quelques personnes qui, tout en faisant des choses apparemment diff\u00e9rentes, travaillaient tous dans le m\u00eame sens, cherchaient dans la m\u00eame direction \u00bb. Il a eu alors tr\u00e8s forte, en cette p\u00e9riode, la conscience de l\u2019existence d\u2019un art aurovilien, de la fondamentale importance de continuer son \u0153uvre ici. Aujourd\u2019hui ce groupe s\u2019est dispers\u00e9, mais cet espoir, cette vision, au fond, il ne les a jamais perdus : un rassemblement d\u2019artistes, \u00e0 Auroville, qui cherche inlassablement, comme on creuse un tunnel, en apercevant par intermittences la lumi\u00e8re \u00e0 l\u2019extr\u00e9mit\u00e9, la cl\u00e9, le moyen de passer de l\u2019autre c\u00f4t\u00e9.<\/p>\n\n
Dominique Jacques\/Centre d\u2019Art Janvier 2020<\/p>\n","protected":false},"excerpt":{"rendered":"
Du 1er au 18 f\u00e9vrier 2020<\/p>\n","protected":false},"author":2,"featured_media":1847,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"project_category":[],"project_tag":[],"class_list":["post-1783","project","type-project","status-publish","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"\n
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