{"id":2745,"date":"2021-11-30T04:29:43","date_gmt":"2021-11-30T04:29:43","guid":{"rendered":"http:\/\/centredart.in\/project\/between-the-lines\/"},"modified":"2022-08-11T05:20:46","modified_gmt":"2022-08-11T05:20:46","slug":"between-the-lines","status":"publish","type":"project","link":"https:\/\/centredart.in\/fr\/project\/between-the-lines\/","title":{"rendered":"BETWEEN THE LINES"},"content":{"rendered":"\n
Comme pour beaucoup d\u2019artistes int\u00e9ressants, le travail d\u2019Harsha Durugadda d\u00e9coule d’une concentration intense. Ce focus port\u00e9 sur le monde qui l\u2019entoure ne le m\u00e8ne pas \u00e0 devenir conservateur ; cela aff\u00fbte plut\u00f4t la perception de son environnement. <\/p>\n\n
Son appr\u00e9ciation pour la sculpture d\u00e9buta en grandissant dans une famille d’artistes, il revendique l’architecture vernaculaire – \u00e9glises, temples, monuments – comme l’une de ses plus grandes influences. Pourtant, son travail montre \u00e9galement une r\u00e9sistance singuli\u00e8re aux id\u00e9es de contr\u00f4le qui se cachent derri\u00e8re la plupart de ces grandes pi\u00e8ces d’architecture. \u00ab En tant que civilisation, la religion a pleinement exploit\u00e9 le pouvoir de la sculpture pour hypnotiser les gens avec la forme. C’est de l\u00e0 que part mon travail et il poursuit son voyage pour trouver de nouvelles significations dans la forme. Durugadda d\u00e9crit ses cr\u00e9ations comme des \u00ab objets d’enqu\u00eate sur le comportement humain \u00bb, c’est-\u00e0-dire non pas quelque chose de strictement visuel, mais une vision \u00e0 exp\u00e9rimenter de mani\u00e8re holistique. <\/p>\n\n
Ce trait profond\u00e9ment \u00ab naturel \u00bb est quelque chose qu’il est difficile de ne pas traduire en un id\u00e9al de l’art \u00ab anti-humaniste \u00bb – comme l’artiste le dit lui-m\u00eame, \u00ab nous sommes la nature \u00bb – il n’\u00e9tait donc pas surprenant constater l’influence des arts et modes de vie indig\u00e8nes sur son propre art. Alors que Harsha lui-m\u00eame pr\u00e9f\u00e8re le terme \u00ab approche plan\u00e9taire non humaine \u00bb, ses id\u00e9es sur la co\u00e9volution et \u00ab l’arrogance humaine naturelle \u00bb semblent le placer fermement comme un anti-humaniste interm\u00e9diaire ; ce n’est pas un mauvais endroit o\u00f9 se trouver ces jours-ci, compte tenu du vide artistique contemporain dans ces r\u00e9gions id\u00e9ologiques. \u00ab\u00a0S’\u00e9loigner de l’obsession humaine et mettre le plus petit microbe au premier plan\u00a0\u00bb est l’objectif d\u00e9clar\u00e9 de Durugadda, dans la vie et dans l’art.<\/p>\n\n
Mais cette pratique consistant \u00e0 trouver de nouvelles significations dans la forme est d\u00e9licate \u00e0 formuler dans le langage (encore une fois, un filigrane d’un art contemporain int\u00e9ressant) ; verbalement, il semblerait que l’abstraction de l’exp\u00e9rience soit le but de Harsha, alors qu’en r\u00e9alit\u00e9 c’est un modus operandi, une m\u00e9thode de connexion avec le spectateur. Lib\u00e9rer la sculpture des amarres traditionalistes, dans ce cas, est une v\u00e9ritable pratique architecturale, l’\u00e9chelle \u00e9tant le seul facteur diff\u00e9renciant. La sculpture contemporaine est devenue obs\u00e9d\u00e9e par l’\u00e9chelle – l’id\u00e9e que tout peut avoir un impact s’il est assez grand. Paul McCarthy, Jeff Koons, Louis Bourgeois, Vasconcelos, Chihuly\u2026 combien de grands noms ont fait carri\u00e8re avec ce simple postulat ? L’\u00e9chelle offre un prestige instantan\u00e9 et, plus important encore, conf\u00e8re \u00e0 l’artiste cette capacit\u00e9 unique \u00e0 faire en sorte que tout semble impressionnant, g\u00e9nial, m\u00eame n\u00e9cessaire (tous ces \u00e9l\u00e9ments, et peut-\u00eatre Vasconcelos en particulier, sont complices d’une tradition postmoderne succinctement identifi\u00e9e par Lester Bangs dans sa critique de 1971 d’un album de Captain Beefheart – \u00ab\u00a0les pr\u00e9tendants par camions n’ont pas r\u00e9ussi \u00e0 faire la distinction cruciale entre l’art commentant la soci\u00e9t\u00e9 et les pol\u00e9miques pures et simples.\u00a0\u00bb)On peut voir dans Durugadda des nuances d’une tradition diff\u00e9rente, qui n’a pas \u00e9t\u00e9 travaill\u00e9e ou bricol\u00e9e depuis l’\u00e9poque de Maria Martins, Giacometti, Henry Moore et Hepworth.C’est une tradition d’\u00e9vocation naturelle, un revers du discours contemporain. Quand j’ai entendu que ses plus grandes influences \u00e9taient architecturales, je n’\u00e9tais pas du tout d\u00e9rout\u00e9 (en fait, les sculpteurs susmentionn\u00e9s sont apparus comme des points de r\u00e9f\u00e9rence plus tard en passant de l’observation \u00e0 l’\u00e9criture). Les premi\u00e8res associations qui me sont venues \u00e0 l’esprit en regardant son travail \u00e9taient les structures \u00e9trang\u00e8res mais naturelles de Frank Lloyd Wright (le Guggenheim en particulier) et, surtout, d’Antonio Gaudi. Dans leur \u0153uvre monumentale, l’\u00e9chelle est plus accessoire qu’un objectif principal ; c’est plut\u00f4t un facteur \u00e0 surmonter, afin d’apporter un sentiment d’intimit\u00e9 et de mouvement \u00e0 quelque chose de grand et n\u00e9cessairement stationnaire.<\/p>\n\n
Le travail de Harsha Durugadda n’est ni grandiose ni stationnaire. Les qualit\u00e9s qu’il recherche et qu’il apporte au monde toujours plus vaste de l’art 3D sont, actuellement, en grande partie uniques ; en fin de compte, ce sont les propres mots de l’artiste qui d\u00e9crivent le mieux ses cr\u00e9ations – \u00ab\u00a0Je m’inspire de pratiques de vie dynamiques… derviches tourneurs, moulins \u00e0 pri\u00e8res bouddhistes, fr\u00e9missement des feuilles – aucune de ces formes n’est statique. C’est ce qui fait que mon travail occupe une forme plus fluide. En effet, c’est le cas.<\/p>\n\n
Entretien avec Harsha Durugadda par Dhani Muniz.<\/p>\n","protected":false},"excerpt":{"rendered":"
Du 10 au 24 d\u00e9cembre 2021<\/p>\n","protected":false},"author":2,"featured_media":4182,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"project_category":[],"project_tag":[],"class_list":["post-2745","project","type-project","status-publish","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"\n
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