The rhythm of the seasons, crop rotation, rice growth, the alternation of day and night, sad or happy events, birth, death.<\/p>\n
<\/p>\n
<\/p>\n
The abstraction of forms that are not immediately recognizable, a human or animal shoulder, feet, horns, fur, skin, earth, plants, textures, marks in the ground like scars, writing to be deciphered.<\/p>\n
<\/p>\n
<\/p>\n
Shadows and light in stark contrast in these photographs dominated by an organic, dense, and inhabited black.<\/p>\n
<\/p>\n
<\/p>\n
Life photographed without hierarchy, without complacency, without codes to decipher.<\/p>\n
<\/p>\n
<\/p>\n
Life on a huge agricultural complex, Annapurna Farm, which feeds 3,000 people every day.<\/p>\n
<\/p>\n
<\/p>\n
A reality in which Madhuri has been living, working, and photographing for the past five years. <\/p>\n
<\/p>\n
<\/p>\n
The fruit of these years at Annapurna is a book entitled Fieldnotes, part thesis, part logbook, composed of her photographs and texts in chronological order.<\/p>\n
<\/p>\n
<\/p>\n
This exhibition brings together 30 of the most significant photographs from Fieldnotes, printed on precious silver-colored paper whose luminosity changes depending on the light it receives. The deep blacks serve as counterpoints to the most luminous forms.<\/p>\n
<\/p>\n
<\/p>\n
Madhuri’s work is not descriptive. There are no landscapes, nothing that could identify a particular place. She uses photography as a memory aid, as a means of expression, to mark milestones in her life as a farmer and to tame it.<\/p>\n
<\/p>\n
<\/p>\n
She contrasts the infinity of space and the monotony of a thousand years with a rhythm of vibrant images, charged with an intensity that we perceive without always understanding its nature or significance, which fragment time into moments and moments into meaning.<\/p>\n
<\/p>\n
<\/p>\n
Through the image of fields, lying hens, or sheaves in backlighting, a complex representation emerges, in which, unbeknownst to the viewer, their own emotions, imagination, and memory are inscribed. <\/p>\n
<\/p>\n
<\/p>\n
Madhuri the photographer watches the crops grow while observing her own growth as an individual, as an artist, as a scientist expert in statistics and productivity increase.<\/p>\n
<\/p>\n
<\/p>\n
She leaves us with the magic of captured light, cast shadows, the work of faceless hands, the breath of animals and the wind.<\/p>\n
From 26 Dec 2025 to 10 Jan 2026<\/p>\n","protected":false},"author":2,"featured_media":6423,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"_et_pb_use_builder":"on","_et_pb_old_content":"\n
From 26 December 2025 to 10 January 2026<\/p>\n\n\n\n
Monday to Friday 2 to 5.30<\/p>\n\n\n\n
Saturday 10 to 12.30 & 2 to 5.30<\/p>\n\n\n\n
Opening on Friday 26 December at 4.30 <\/p>\n\n\n\n
<\/div>\n\n\n\n<\/figure>\n\n\n\n
FIELDNOTES<\/p>\n\n\n\n
by Madhuri K.<\/p>\n\n\n\n
The rhythm of the seasons, crop rotation, rice growth, the alternation of day and night, sad or happy events, birth, death.<\/p>\n\n\n\n
The abstraction of forms that are not immediately recognizable, a human or animal shoulder, feet, horns, fur, skin, earth, plants, textures, marks in the ground like scars, writing to be deciphered.<\/p>\n\n\n\n
Shadows and light in stark contrast in these photographs dominated by an organic, dense, and inhabited black.<\/p>\n\n\n\n
Life photographed without hierarchy, without complacency, without codes to decipher.<\/p>\n\n\n\n
Life on a huge agricultural complex, Annapurna Farm, which feeds 3,000 people every day.<\/p>\n\n\n\n
A reality in which Madhuri has been living, working, and photographing for the past five years. <\/p>\n\n\n\n
The fruit of these years at Annapurna is a book entitled Fieldnotes, part thesis, part logbook, composed of her photographs and texts in chronological order.<\/p>\n\n\n\n
This exhibition brings together 30 of the most significant photographs from Fieldnotes, printed on precious silver-colored paper whose luminosity changes depending on the light it receives. The deep blacks serve as counterpoints to the most luminous forms.<\/p>\n\n\n\n
Madhuri's work is not descriptive. There are no landscapes, nothing that could identify a particular place. She uses photography as a memory aid, as a means of expression, to mark milestones in her life as a farmer and to tame it.<\/p>\n\n\n\n
She contrasts the infinity of space and the monotony of a thousand years with a rhythm of vibrant images, charged with an intensity that we perceive without always understanding its nature or significance, which fragment time into moments and moments into meaning.<\/p>\n\n\n\n
Through the image of fields, lying hens, or sheaves in backlighting, a complex representation emerges, in which, unbeknownst to the viewer, their own emotions, imagination, and memory are inscribed. <\/p>\n\n\n\n
Madhuri the photographer watches the crops grow while observing her own growth as an individual, as an artist, as a scientist expert in statistics and productivity increase.<\/p>\n\n\n\n
She leaves us with the magic of captured light, cast shadows, the work of faceless hands, the breath of animals and the wind.<\/p>\n\n\n\n
![\"\"](\"https:\/\/centredart.in\/wp-content\/uploads\/2025\/12\/Madhuri-619x395-2.jpg\")
<\/figure>\n